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Il film italiano che non sembra italiano è diventato un caso: va fortissimo al box office, ha conquistato la critica ed è stato venduto in 50 Paesi nel mondo, Stati Uniti, Canada, Germania e Regno Unito. Si intitola “Le assaggiatrici” e svela una storia rimasta totalmente sconosciuta fino al 2012, quando poco prima di morire, all’età di 95 anni, Margot Wölk, una berlinese che faceva la segretaria, rivelò di essere stata una delle 15 donne scelte per assaggiare i pasti di Hitler.
Hitler temeva di essere avvelenato: la tortura che infliggeva a un gruppo di donne
Già, perché il Fuhrer temeva di essere avvelenato e così nel 1942 nel suo quartier generale nella Prussia orientale (l’attuale Ktrzyn, in Polonia), noto come “La tana del lupo”, ogni giorno venivano condotte in autobus alcune giovani donne tedesche costrette a mangiare il cibo preparato per Hitler e ad aspettare immobili a tavola, sotto lo sguardo dei fucili delle SS, che l’eventuale veleno penetrasse nei loro corpi.
La storia agghiacciante rivelata da Margot Wölk
Una tortura psicologica e fisica che durò due anni e mezzo e della quale Margot Wolk restò l’unica testimone nel mondo, visto che le altre donne furono fucilate dai sovietici alla fine della seconda guerra mondiale, mentre lei riuscì a fuggire a Berlino con la complicità di un tenente. La sua storia rivelata in un’intervista a un quotidiano berlinese pochi mesi prima di morire è diventata un libro di Rosella Postorino dal titolo “Le assaggiatrici” e ora un film diretto da Silvio Soldini che di questa storia si è innamorato.
I corpi delle donne violati e usati come cavie
Al centro del film ben costruito e ben recitato, capace di tenerti inchiodato per due ore alla poltrona senza quasi prendere aria tanta è la tensione che si respira, ci sono dunque queste donne, nel film sono sette, diverse in tutto, complici e rivali, ma unite dal terrore con il quale sono costrette a convivere ogni giorno nell’ingurgitare quel cibo che potrebbe ucciderle. “Una sorta di roulette russa”, ha sintetizzato l’autore di “Pane e tulipani” che, anche grazie alle tre sceneggiatrici (Cristina Comencini, Giulia Calenda, Ilaria Macchia), ha poggiato il suo sguardo proprio sulle donne generalmente trascurate nella filmografia che racconta il nazismo. E soprattutto sui loro corpi, violati e strumentalizzati. Usati come cavie da laboratorio ma ancora capaci di desiderare e farsi desiderare, anche se a prezzi altissimi. Così c’è la donna che abortisce clandestinamente perché nella Germania nazista l’aborto era un nemico della patria affamata di gioventù ariana da mandare in guerra, ma c’è anche Rosa, la protagonista, che si riscopre viva grazie a una storia con un ufficiale delle SS.
L'attentato a Hitler fa precipitare tutto
Lei, ormai sola al mondo perché i genitori sono morti a Berlino, il fratello è scappato in America e il marito è disperso in Russia, è quella che inizialmente fa più fatica a farsi accettare dalle altre che sprezzantemente la chiamano “berlinese”. Tutto precipita con l’attentato subito da Hitler: i sospetti diventano incubi e quel cibo sempre più una condanna. Il finale, che non abbandona mai la tensione, è pieno di colpi di scena.
E lascia sullo sfondo il desiderio di capire il perché di quella confessione così tardiva. Essere stata in qualche modo complice del dittatore tedesco deve essere stato molto difficile da digerire per Margot Wölk,. Forse anche di più di quel cibo solo vegetariano perché il Fuhrer era rimasto scioccato da una visita in un mattatoio e nutriva qualche barlume di pietà per gli animali piuttosto che per gli uomini. Quel cibo, divenuto metafora di paura e morte, con il quale riuscirà a far pace dopo molti anni della sua lunga esistenza.
